"Alt-rock Alchemist" per A&R Factory. Thoughtful videos. Audio glue for a fractured world. Fuss with listening and writing for a lifetime to make the here and now sticky and real.
A multi-instrumentalist TEG plays and programs everything, writes all originals, arranges all covers, records every sound, mixes every track and poorly promotes the results. Mastering Engineering is in partnership with Andy "Hippie" Baldwin of Metropolis Studios in London, England.
"Industrial rock meets post-grunge and riotously protestive RATM-esque alt-rock in the latest single, Lesser Men, from the experimental solo artist, The Every Glazer.
Describing their music as audio glue for a fractured world tells you all you need to know about the MO of the musician and recording artist who uses his talent to give a glimmer of hope in our dystopia that has manifested via Orwellian fiction.
Just as it has done for millennia, music has united us and scribed our stories; Lesser Men is a continuation of that tradition, which affirms as dark as the days seem, curtains haven’t quite closed on humanity yet, regardless of the corruption, greed, devastation, and oppression; as long as society’s swan song plays, there’s no reason to give up your dog in the fight and down tools when we can better the world in the same way The Every Glazer did with Lesser Men."
"To release his latest single, The Every Glazer dug through his alt-rock archives to uncover the single, 23 Figments, which was originally recorded in 2003 at Goblin Cross Records in Toronto with the contributing artist and recording engineer, Ross Goodfellow.
Ross Goodfellow may no longer be with us, but his legacy lives on in this rhythmic masterpiece; you can hear his organically vibrant percussive command pull through clearly on the soulful djembe beats as the rest of the instrumentals emanate a euphonic aura stylised by the likes of Incubus.
With Ross Goodfellow’s passing bringing new context to the single that explores figments that the mind conjures, 23 Figments is a deeply evocative work. As it pays homage to the early 00s rock sound that still rings with fragments of Seattle grunge, The Every Glazer embraces nostalgia and mellifluous innovation simultaneously to craft an original single that is all too efficacious in offering your soul sanctuary."
"Transcendent leftfield electronica meets snipingly sludged alt-rock in The Every Glazer’s latest lesson in volition-driven distemper, Motive.
By bridging the gap between two sonic stylings that are rarely connected, every progression in motive is a revelation in innovation, from the tranquil intro to the riled-up guitar chords that distortedly cut through the atmosphere under the singer-songwriter’s lyrics that paint a disparaging portrait of a society where nobody wins, and everybody loses, the soundscape scintillates your synapses while the vocals harbinger further dystopic descents.
It feels as though all the fucked-up facets of our modern living are squeezed into the three minutes of this epic protest track, which just goes to show you don’t need to produce in the same vein as Rage Against the Machine to take a stand and prove resistance isn’t futile."
"For his latest single, The Jaded Zone, the alt-rock alchemist, The Every Glazer, confided in everyone who can relate to paralysing ennui and can’t see the light at the end of the tunnel that has been blocked by political agendas that weaponize our tribal inclinations to fight tooth and nail to protect our partisan ideals.
There’s no rationalising your way out of the acknowledgement that our society is corroding under contempt, corruption, and prejudice, but there is solace in the recognition that regardless of how powerlessly alienated we feel, we are united in this feeling and can all cast the stones of progressive change and infiltrate the hate with compassion akin to the consolation in The Jaded Zone.
If Cobain was still with us today, he’d be penning grungy post-rock hits that run in the same visceral vein as The Jaded Zone, which uses angular guitars, a backbeat that mimics a frantic heartbeat and evocative classical strings to bring emotion back to the surface."
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